Bruce Springsteen
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Hoos
Hooplehead
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Yep. It's the only song on the Born In The USA album that I always skip.
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It holds a special place in my heart.
It was the song that got me into him after always hearing it on Gold. I have performed it twice at end of work functions (terribly, but to laughter and applause).
It's definitely not his best song, but it's a great track that will always be special to me.
What are your guys take on the others in this pack?
- Jan 7, 2018
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I love that 80's drum sound
No Dancing Dark, no video and Bruce is probably not a Billionaire 40 years later. It was the commercial hit that opened the world to him.
It’s kind of that song as said above that the lyrics don’t match the upbeat tempo of the music in the same vein as Better Days.
It’s kind of that song as said above that the lyrics don’t match the upbeat tempo of the music in the same vein as Better Days.
ExileOnArdenStreet
Serenity Now...Insanity Later
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And Hungry Heart
ExileOnArdenStreet
Serenity Now...Insanity Later
- Jan 21, 2021
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I've been listening to the Paramount Theatre show from the Darkness box set for the last few days, it's just awesome
ExileOnArdenStreet
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Streets of Fire on this is ****ing mental.
Flying through these Cruyffie - trying to catch up!
We rode her into the foothills, Bobby brought the gasoline
We stood ’round her in a circle as she lit up the ravine
The spring high desert wind rushed down on us all the way back home
The harmonica break right when you expect the fourth line, good god that is an incredible subversion of your expectation within the flow of the song, and it work every damn time.
Bit of a surprise to see this so low. This to me is as good a song about his relationship with his father as he ever wrote. Whist I love the anger implicit in something like Adam Raised A Cain, this really captures the melancholy of their relationship. The son acknowledges his role in the relationship, even though he admits he can't do anything to change it.
I like this song, but it is so out of place opening that album, it really doesn't fit with the sound of that album. It is almost like Jon sent him off to write another Dancing in the Dark - but this time asking for a quintessential Springsteen anthem. It is a fine result, but feels a little forced to me.
This song means so much to me. Although I was familiar with it from the Joad tour (it was on the famous bootleg from the Sydney show that was one of the first I ever owned), it really clicked with me in early 2007 leading up to my first son being born. I was driving around for weeks listening to nothing by 2005 tour recordings, and Long Time Comin' was on every show. I would get more emotional every time I heard it as my son's birth was approaching. My own father died 10 days before my first son was born. Still a blubbering mess every time he get to the closing punch line. I didn't **** it up too bad.
Can't take this one at all. Only the Strong Survive was a massive misstep for me. Bruce doing karaoke. This would have worked so much better if he put together a real band and worked the songs to create something that was his own. I guess Covid prevented that, but it doesn't mean he had to release it. Hopefully vol 2 stays in the volt.
The biggest "what might have been" of the 92 albums. Up there with his best writing, and a highlight both of the Christic shows and 2005 tour, but man does it not work on the album.
This one is top 10 for me. My favourite song of his post 2000 output. Great on the album, even better on those 2007 shows. Shame it faded in 2008 then disappeared altogether. Another one that gets me every time, especially:
We rode her into the foothills, Bobby brought the gasoline
We stood ’round her in a circle as she lit up the ravine
The spring high desert wind rushed down on us all the way back home
The harmonica break right when you expect the fourth line, good god that is an incredible subversion of your expectation within the flow of the song, and it work every damn time.
Great call. I got a DVD rip on my phone shortly after it came out, for years I reckon I listened to this version many more times than the original album.
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As I said, it's just favourites, it'd be higher based on the actual quality of the song. But it is very good.
It's just a solid stadium rock song, good to belt out and a good pump up for me!
I was lucky enough to go to Broadway, hearing him talk about his father in the lead up was so freaking powerful.
Sorry to hear about your dad, my dad also isn't around (died 5 years ago this year), and wasn't around to meet my daughter (who is now two and a half).
I actually think this and LWH are the two best songs he has written this century.
It's a beauty. That clip especially. The vocal is so ****ing smooth.
Imagine if it was released like this!
I AM SO GLAD THAT SOMEONE ELSE APPRECIATES THIS SONG. The power it generates is ferocious. It's ****ing exceptional. A great song to blast.
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True and I also think 'Streets of Philadelphia' and 'Secret Garden' elevated him even more globally.
Remember MMM playing the death out of the both of those songs.
ExileOnArdenStreet
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Yeah I did the same, the original version of Darkness sounds tame in comparison to this.
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- #8,816
Gasometer Gough Planet14 revo333
39) Roll Of The Dice (Human Touch)
I’m a thief in the house of love and I can’t be trusted
Roll Of The Dice has to be one of the most enjoyable songs Bruce has written. It’s full of life, fun and enthusiasm just to name a few things.
The piano riff is so uplifting and it feels like there is a party ready to break out at any given moment. When the band join, the place erupts and everything springs to life effortlessly. The horns add a whole other dimension to a song already layered with plenty of different instruments. It reminds of Mary’s Place in the way everything just seems to come together without any effort whatsoever.
The song is riddled with gambling metaphors which tie in perfectly to the song’s title. I kind of get the impression that gambling is the awkward third party in this relationship, he loves this woman, but the thrill of winning is too hard to turn away. He may have lost, but he can get it back, he seems to think, on the next play.
The bridge alludes to the errors he knows he has made, but he can’t get enough.
The standout line comes in the last verse, which really sums up his character.
I’m a thief in the house of love
And I can’t be trusted
Gambling will always be number one for the guy here. Regardless of who he meets.
The vocal trade off at the end between Bruce and Steve is nothing short of brilliant.
This song will always guarantee a smile on your face.
Plenty to like about this clip. The intro, the tambourine, the champagne, the dancing, the false ending. Brilliant. Enthusiasm personified right here.
38) Tenth Avenue Freeze Out (Born To Run)
Well they made that change uptown and The Big Man joined the band
Tenth Avenue Freeze announces itself with joy. The horns and piano are brilliant, the vocal is raw and sounds so innocent and jubilant. If you’re going to have a party, this is the blueprint the playlist should follow.
I can just imagine this being recorded with a huge smile on his face as it was being sung.
The song transformed itself on Broadway and I have an even deeper appreciation for it than I previously did. I think the versions on just the piano surpass the full band counterparts in some aspects. There is a rawness and tenderness to it with just the piano.
There is a key line in Tenth which can serve as a good life motto
“I'm gonna sit back right easy and laugh”
Sometimes, that’s all you need to do.
Piano acoustic. Do yourselves a favour. You won’t regret it. The vocal is flawless.
37) Secret Garden (Greatest Hits)
She’ll lead you down the path, there’ll be tenderness in the air
Secret Garden doesn’t aim to knock you out. It sits you down, gets you comfortable and it puts its arm around you and makes you feel at ease.
It is flawlessly beautiful in so many ways. The synth, the brushes on the drums, the acoustic guitar, the piano, the calming vocal. It’s utterly perfect in every sense of the word.
And the fact the sax solo was completely played ad-lib adds to this song’s charm even more. The bass paired with it full and warming. A perfect combination.
I heard it by chance on a show called Cold Case nearly 20 years ago and fell instantly in love with it – and an obsession, which few songs have managed to hold over me, took control. I played it on repeat, over and over, day after day, for months.
I guess the moral of the story in this track is, no matter how much someone loves you, or you them, there will always be a place, deep, deep inside that you’ll never get in, or they’ll never get in and it will stay a million miles away. That’s the Secret Garden.
Secret Garden, for me is the best ballad he’s written.
36) Two Hearts (The River)
Two hearts are better than one
I ADORE Two Hearts. I absolutely adore it. It fills me with such happiness whenever I listen to it, and it’s so easy to get whisked away in its joy.
The simplicity behind Two Hearts makes it outstandingly brilliant. Its message is so clear and succinct, it’s impossible not to get it.
Two Hearts fills with the world with energy, fun and enthusiasm immediately from its opening bars. That surging piano from the beginning really urges the song on and I can’t help but be swept away in the driving sound of it. The organ working quietly in the background is another great addition to this track.
This song contains one of the best simplistic lines he’s ever written ‘I believe in the end two hearts are better than one’. It’s a beautiful sentiment, and for those that have a significant other, or anyone that they’re exceptionally close with, it is undoubtedly true.
The duel vocal between Bruce and Stevie is a great touch and does well to reemphasize the lyrics.
Two Hearts gonna get the job done.
35) Human Touch (Human Touch)
We’re all riders on this train
What is not to love about Human Touch? The chemistry with Patti is absolutely off the charts, the solos are great, the vocal pairing on the bridge is fantastic – as is the vocal performance – the conviction Bruce gives it, especially in the bridge really is fantastic.
The synth and keys in Human Touch are subtle enough to miss, but if you listen for them, they’re a great addition to the song, even if they’re tucked away.
When the song goes up a few notches around the two minute mark, you can hear the force that’s being created. The vocal is more urgent, the harmonising is from the top shelf, and that solo is full of attitude and swagger.
Things drop off - but only temporarily. The last few minutes of Human Touch you can hear everything go up a gear. The vocal performance is tremendous as he shouts the lyrics in an unnerving display of belief.
The solo at the end is a dominant showing, and with the band in full swing prior, it’s so easy to be swept away with the E-Street Band in all their glory.
The train metaphor is great too, and I thinks speaks a lot for where his mind was at the time of writing.
And Patti’s vocal is sublime.
But I think my favourite thing is the breakdown where everything seems to simmer and then EVERYTHING comes crashing back in.
Max going for broke at the end is the icing on the cake. Superb!
39) Roll Of The Dice (Human Touch)
I’m a thief in the house of love and I can’t be trusted
Roll Of The Dice has to be one of the most enjoyable songs Bruce has written. It’s full of life, fun and enthusiasm just to name a few things.
The piano riff is so uplifting and it feels like there is a party ready to break out at any given moment. When the band join, the place erupts and everything springs to life effortlessly. The horns add a whole other dimension to a song already layered with plenty of different instruments. It reminds of Mary’s Place in the way everything just seems to come together without any effort whatsoever.
The song is riddled with gambling metaphors which tie in perfectly to the song’s title. I kind of get the impression that gambling is the awkward third party in this relationship, he loves this woman, but the thrill of winning is too hard to turn away. He may have lost, but he can get it back, he seems to think, on the next play.
The bridge alludes to the errors he knows he has made, but he can’t get enough.
The standout line comes in the last verse, which really sums up his character.
I’m a thief in the house of love
And I can’t be trusted
Gambling will always be number one for the guy here. Regardless of who he meets.
The vocal trade off at the end between Bruce and Steve is nothing short of brilliant.
This song will always guarantee a smile on your face.
Plenty to like about this clip. The intro, the tambourine, the champagne, the dancing, the false ending. Brilliant. Enthusiasm personified right here.
38) Tenth Avenue Freeze Out (Born To Run)
Well they made that change uptown and The Big Man joined the band
Tenth Avenue Freeze announces itself with joy. The horns and piano are brilliant, the vocal is raw and sounds so innocent and jubilant. If you’re going to have a party, this is the blueprint the playlist should follow.
I can just imagine this being recorded with a huge smile on his face as it was being sung.
The song transformed itself on Broadway and I have an even deeper appreciation for it than I previously did. I think the versions on just the piano surpass the full band counterparts in some aspects. There is a rawness and tenderness to it with just the piano.
There is a key line in Tenth which can serve as a good life motto
“I'm gonna sit back right easy and laugh”
Sometimes, that’s all you need to do.
Piano acoustic. Do yourselves a favour. You won’t regret it. The vocal is flawless.
37) Secret Garden (Greatest Hits)
She’ll lead you down the path, there’ll be tenderness in the air
Secret Garden doesn’t aim to knock you out. It sits you down, gets you comfortable and it puts its arm around you and makes you feel at ease.
It is flawlessly beautiful in so many ways. The synth, the brushes on the drums, the acoustic guitar, the piano, the calming vocal. It’s utterly perfect in every sense of the word.
And the fact the sax solo was completely played ad-lib adds to this song’s charm even more. The bass paired with it full and warming. A perfect combination.
I heard it by chance on a show called Cold Case nearly 20 years ago and fell instantly in love with it – and an obsession, which few songs have managed to hold over me, took control. I played it on repeat, over and over, day after day, for months.
I guess the moral of the story in this track is, no matter how much someone loves you, or you them, there will always be a place, deep, deep inside that you’ll never get in, or they’ll never get in and it will stay a million miles away. That’s the Secret Garden.
Secret Garden, for me is the best ballad he’s written.
36) Two Hearts (The River)
Two hearts are better than one
I ADORE Two Hearts. I absolutely adore it. It fills me with such happiness whenever I listen to it, and it’s so easy to get whisked away in its joy.
The simplicity behind Two Hearts makes it outstandingly brilliant. Its message is so clear and succinct, it’s impossible not to get it.
Two Hearts fills with the world with energy, fun and enthusiasm immediately from its opening bars. That surging piano from the beginning really urges the song on and I can’t help but be swept away in the driving sound of it. The organ working quietly in the background is another great addition to this track.
This song contains one of the best simplistic lines he’s ever written ‘I believe in the end two hearts are better than one’. It’s a beautiful sentiment, and for those that have a significant other, or anyone that they’re exceptionally close with, it is undoubtedly true.
The duel vocal between Bruce and Stevie is a great touch and does well to reemphasize the lyrics.
Two Hearts gonna get the job done.
35) Human Touch (Human Touch)
We’re all riders on this train
What is not to love about Human Touch? The chemistry with Patti is absolutely off the charts, the solos are great, the vocal pairing on the bridge is fantastic – as is the vocal performance – the conviction Bruce gives it, especially in the bridge really is fantastic.
The synth and keys in Human Touch are subtle enough to miss, but if you listen for them, they’re a great addition to the song, even if they’re tucked away.
When the song goes up a few notches around the two minute mark, you can hear the force that’s being created. The vocal is more urgent, the harmonising is from the top shelf, and that solo is full of attitude and swagger.
Things drop off - but only temporarily. The last few minutes of Human Touch you can hear everything go up a gear. The vocal performance is tremendous as he shouts the lyrics in an unnerving display of belief.
The solo at the end is a dominant showing, and with the band in full swing prior, it’s so easy to be swept away with the E-Street Band in all their glory.
The train metaphor is great too, and I thinks speaks a lot for where his mind was at the time of writing.
And Patti’s vocal is sublime.
But I think my favourite thing is the breakdown where everything seems to simmer and then EVERYTHING comes crashing back in.
Max going for broke at the end is the icing on the cake. Superb!
Last edited:
Hoos
Hooplehead
- Mar 9, 2007
- 33,878
- 78,782
- AFL Club
- Richmond
- Other Teams
- Burnie United FC, Cheddar AFC
