Bruce Springsteen

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Jmac3542 said:


ABC Special. Start this video at just over 12 mins 30 in. Skip thru the add breaks. It’s brilliant.
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Thanks for finding it and posting the doco. Much appreciated.

If this is your Vimeo account then an even bigger thanks for putting it together.

I knew George Stephanopolous would do a good job, and that's why I was so keen to find it.
 
The Howard Stern interview isn't in full but on his official site he has 8 videos ranging from 2 minutes to 5 and a half minutes. Below are a couple.

You can find the rest at - https://www.youtube.com/@howardstern/videos






 
I count 14 of the band members in the studio with Howard Stern

Bruce, Patti, Max, Niels, Soozie, and Jake in the main shot. Gary, Roy and new percussionist Anthony Almonte to the right. To the left are the 4 backing singers and Charlie.

Missing are the 4 piece E Street Horns section and Stevie. That's 19 members.

They were 18 in 2014 when Tom Morello stayed on and Stevie toured as well after not coming on the 2013 tour due to filming Lilyhammer. ( Yes the town is spelt Lillehammer). Looks like they have added an extra male back up singer.
 
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What a phenomenal documentary. It was flawless. What struck me the most was how incredible the sound was. Hearing them rehearse and the sound coming through there was spectacular, and then the transition to live cuts was awesome.

Just an absolutely brilliant piece of film making. The Last Man Standing section through Backstreets had me in tears.
 
Cruyff14 said:
What a phenomenal documentary. It was flawless. What struck me the most was how incredible the sound was. Hearing them rehearse and the sound coming through there was spectacular, and then the transition to live cuts was awesome.

Just an absolutely brilliant piece of film making. The Last Man Standing section through Backstreets had me in tears.
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Absolutely this. I had the speakers pumping and everything note was synced with the vision.
 

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pjcrows said:
Yep. It's not happening.
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Its Going Down GIF by Philips Norelco
 
I thought it wonderfully shot, Zimny is a very talented filmmaker, and the sound was fantastic.

It was a lovely way to capture that portion of the tour, and the archival snippets were both amazing to see, and frustrating to know how much is in the vaults that we will likely never see.

Unfortunately, Zimny is very much inside the tent, and so ultimately this was hagiography more than documentary. Springsteen as an individual, and the band in general are perfect subjects for critical assessment of their legacy and place in the wider musical world. However, JLM have built the walls so high around Bruce nobody not prepared to genuflect on the way in is allowed.

The recent books by Zanes and Hyden covering the Nebraska and BitUSA period sent me down a rabbit hole a few months back watching a lot of the scarce footage of Bruce from that era such as the lengthy UK interview to promote Live 75-85. What stood out back then was even at the height of his fame, he was so unsure of himself. Long pauses, grasping for the words. Clearly a very intelligent man, fighting to articulate what was in his head. But he came across as genuine. Listening to him reading from a script in the voiceovers was just Bruce playing the "Bruce Springsteen" character he has developed over the past 25 years. I would love to see under the surface, unguarded and honest. Not sure we ever will.

The best bit of self reflection was watching the ponderously slow version of She's The One bleeding into the pedal to the floor version from I'm guessing around 76. I'm surprised that made the cut, to be honest, but it was revealing to see it.
 
Don’t you worry; when the spirit goes to the sky i guarantee they have set it up to make millions into the future for the great grandkids etc.

The vault will be unlocked

I thought his autobiography was as raw as he’s ever been dealing with his past problems and what he lives with today with the mental health

And Letter to You was his best personal journal into the realm of mortality that puts it up high on my faves. Maybe it also was because it was one of my few shining lights through the misery of Lockdowns here in Vic?

It will also be interesting to see the new movie and what that lifts the lid on

I wonder if Beethovens family get royalties?
 
Planet14 said:
I thought it wonderfully shot, Zimny is a very talented filmmaker, and the sound was fantastic.

It was a lovely way to capture that portion of the tour, and the archival snippets were both amazing to see, and frustrating to know how much is in the vaults that we will likely never see.

Unfortunately, Zimny is very much inside the tent, and so ultimately this was hagiography more than documentary. Springsteen as an individual, and the band in general are perfect subjects for critical assessment of their legacy and place in the wider musical world. However, JLM have built the walls so high around Bruce nobody not prepared to genuflect on the way in is allowed.

The recent books by Zanes and Hyden covering the Nebraska and BitUSA period sent me down a rabbit hole a few months back watching a lot of the scarce footage of Bruce from that era such as the lengthy UK interview to promote Live 75-85. What stood out back then was even at the height of his fame, he was so unsure of himself. Long pauses, grasping for the words. Clearly a very intelligent man, fighting to articulate what was in his head. But he came across as genuine. Listening to him reading from a script in the voiceovers was just Bruce playing the "Bruce Springsteen" character he has developed over the past 25 years. I would love to see under the surface, unguarded and honest. Not sure we ever will.

The best bit of self reflection was watching the ponderously slow version of She's The One bleeding into the pedal to the floor version from I'm guessing around 76. I'm surprised that made the cut, to be honest, but it was revealing to see it.
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That She's The One bit was wonderful. I love the thump of Max's drum, and then see them going full throttle, woah!
 
Gasometer said:
The vault will be unlocked
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I'm not so sure. Bruce (and Jon) have kept such tight reign on how Bruce is presented, I don't see why that would change when he goes to the great hereafter. I've been pouring over the latest Neil Young Archive box the last few weeks, and Neil has always always been prepared to lay his work bare, even when it doesn't necessarily present him at his best. Everything from the Springsteen camp is carefully cultivated, to point of recording overdubs and even new vocals.

Also, the financial inventive isn't there, the catalogue has been sold. Whatever money his heirs (not hairs) are getting, has already been banked.

Gasometer said:
I thought his autobiography was as raw as he’s ever been dealing with his past problems and what he lives with today with the mental health
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I agree it revealed at lot, but it still a selective telling of his version of the truth. Like any autobiography. Its great, but it is still put through the filter of what they want us to see.

Gasometer said:
I wonder if Beethovens family get royalties?
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Unfortunately his management didn't do a copyright dump 50 years after he wrote them, so sadly slipped into the public domain.
 
Planet14 said:
I'm not so sure. Bruce (and Jon) have kept such tight reign on how Bruce is presented, I don't see why that would change when he goes to the great hereafter. I've been pouring over the latest Neil Young Archive box the last few weeks, and Neil has always always been prepared to lay his work bare, even when it doesn't necessarily present him at his best. Everything from the Springsteen camp is carefully cultivated, to point of recording overdubs and even new vocals.

Also, the financial inventive isn't there, the catalogue has been sold. Whatever money his heirs (not hairs) are getting, has already been banked.


I agree it revealed at lot, but it still a selective telling of his version of the truth. Like any autobiography. Its great, but it is still put through the filter of what they want us to see.


Unfortunately his management didn't do a copyright dump 50 years after he wrote them, so sadly slipped into the public domain.
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Okay well I hope you one day get to the bottom of whatever your looking for Springsteen
 

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