Columbus - A man (John Cho) travels to Columbus, Indiana where his estranged father is in a coma and meets a smart 19-year-old girl who hasn't left the town for college because of family issues. That type of a dynamic is not unusual, but it plays really well here and it's set against the beautiful backdrop of modern architecture, which is a running theme. Not a single shot is wasted. 7.5/10
Raw - Every, grit my teeth and squint my eyes moment was felt, every descent into giving into your worst impulses was so deftly portrayed. It's pretty amazing. Loved setting it in a college that goes pretty hard and crazy, so much so that the film barely gives you a time to breathe. 9/10
The Killing of a Sacred Deer - Latest from the mad genius that is Yorgos Lanthimos. Unlike the Lobster or Dogooth, this doesn't have the same kind of depth that the others have, but it's still a wild ride. Barry Keoghan is a bit of a revelation here. 7/10
Good Time - This can simply be a film about a heist, a brother trying to free his mentally challenged brother after a bank robbery gone wrong, all in a night in NYC, and it would still be great. What's makes this pretty special, is how complex its main character is - a love for his brother that is completely misplaced - and the film's overarching themes of race and gender. Most honest portrayal of New York since 25th Hour and Pattinson's finest role to date, he's had a terrific year. 9.5/10
Raw - Every, grit my teeth and squint my eyes moment was felt, every descent into giving into your worst impulses was so deftly portrayed. It's pretty amazing. Loved setting it in a college that goes pretty hard and crazy, so much so that the film barely gives you a time to breathe. 9/10
The Killing of a Sacred Deer - Latest from the mad genius that is Yorgos Lanthimos. Unlike the Lobster or Dogooth, this doesn't have the same kind of depth that the others have, but it's still a wild ride. Barry Keoghan is a bit of a revelation here. 7/10
Good Time - This can simply be a film about a heist, a brother trying to free his mentally challenged brother after a bank robbery gone wrong, all in a night in NYC, and it would still be great. What's makes this pretty special, is how complex its main character is - a love for his brother that is completely misplaced - and the film's overarching themes of race and gender. Most honest portrayal of New York since 25th Hour and Pattinson's finest role to date, he's had a terrific year. 9.5/10