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AFLW 2024 - Round 10 - Chat, game threads, injury lists, team lineups and more.
just show us the mother already!
the producers have had 8 seasons of milking the story line, there is no milk left. show the mother!
The sad thing is that's probably true.Could probably skip the next 20 episodes and not miss anything really
Bring back Kevin!If there was one thing everyone was calling out for, it was to bring Mickey back.
Hopefully Zoe reappears soon too.
People aren't just complaining because there's no story progression. People are also complaining because the episodes are bad and un-funny.I'm sick of all this negativity.
A season is like 24 episodes right? Let's say this is the final season. Progression must have meaning, right? If there was story progression every episode then we'd probably find out the mother in the 10th episode. Robin and Ted boasting over who has a better relationship leads to what Victoria said at the start of last season. Their tension has to be gone for Ted to find the one. It's the third episode, guys...
People aren't just complaining because there's no story progression. People are also complaining because the episodes are bad and un-funny.
I honestly think this is getting to the point where it's worse than later-season Friends.
That would be more exciting than what's happening at the moment.So you are picking Barney to move to move to LA and star in his own TV show?
Wasn't remotely funny at all. Lily was at an all time low with her crying.
If anything Robin was finally not lame and boring.
... the creators of How I Met Your Mother don’t know if season eight will be the show’s last. They’re putting their long-planned endgame into effect, but they also have a Plan B in case the network and stars come to an agreement to extend the show into season nine.
The debate that has intensified with each passing season is whether the whole idea of an endpoint, embedded as it is in the show’s premise, increasingly works against the comedy as the years pile up. You can expect to hear a lot of opinions on both sides from TV critics all over the web. My answer has been consistent (at least as far as I remember) for the four seasons I’ve been writing about this show: The premise is only a liability if the viewer makes it one.
That sounds like a “you’re watching it wrong” argument, but I don’t mean it that way. The writers have occasionally let the focus slide too far one way or the other, toward “premise shmemise!” or “mythology above all.” But taking the seven seasons as a whole, there has been an impressive balance between the comedy of the moment and the happily ever after we want for the characters. The fundamentals haven’t changed; in fact, the detours and wheel spinning that from one angle seem intolerable, from another angle advance the show’s underlying theme of embracing maturity. We’ll get the pleasure from this show that we allow it to give us.