"Tana, you want to come work a tag match against me and Bonza in a Thornbury pub?"After the zsj debacle, bonza and fale embarrassment fest etc.. I can't imagine the begging and pleading and deal done to do this
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"Tana, you want to come work a tag match against me and Bonza in a Thornbury pub?"After the zsj debacle, bonza and fale embarrassment fest etc.. I can't imagine the begging and pleading and deal done to do this
After the zsj debacle, bonza and fale embarrassment fest etc.. I can't imagine the begging and pleading and deal done to do this
I mean more the reputational damage. They had people complain about not being paid to head office which was a headache that they didn't want to deal with.Tamashii is an interesting one, they can't possibly be making money off of it given the smaller crowds and high end talent they use, they haven't really experienced any growth (Actually the opposite) and it's at least partially headed up by Bonza who is controversial at the very least.
Kind of just seems like a way for local Aussie/NZ workers from the Fale Dojo/PWA to slap their chests and say "We're part of New Japan Pro Wrestling!" when it really isn't that way at all. PWA should probably be focusing on the fact that they've lost Liberty Hall and are now relegated to running shows every 3 months in a venue 50 minutes from their former home instead of trying to revive Tamashii. I think PWA isn't even top 3 attendances in NSW anymore which has to be troubling for the people that say they are the premium brand.
I don't think it'd be that hard to be honest, if you're New Japan it seems like a pretty easy sell...
"We'd like to try and grow your branding here in Australia again, we'll take on all costs, we'll keep your locally based talent like Fale and Robbie happy plus we'll fly in one or two of the main roster guys to give them a working holiday in one of the most beautiful countries on earth"
The question is what's in it for Bonza and PWA...
Got in this morning and will probably go to everything through the next two days. Bischoff was good. He’s a lot better when he isn’t just throwing out controversial takes for Twitter.Anyone up in Ballarat for the shows this weekend?
I'm seeing that Powerhouse Hobbs might be double booked with AEW
They just announced he's off.
I had a great time in Ballarat on the weekend. Starrcast was good. Got a picture with Bret Hart and spoke and got things signed with Tenille Dashwood, Mike Rallis, Sheldon Benjamin and Moose. One minor criticism is their was like only 3 vendors so there wasn't much else to do once you met who you wanted to meet. Bret's line was massive all day. His meet and greets were sold out all 3 days.Anyone up in Ballarat for the shows this weekend?
I'm seeing that Powerhouse Hobbs might be double booked with AEW
They just announced he's off.
I mean, he isn't wrong...Got in this morning and will probably go to everything through the next two days. Bischoff was good. He’s a lot better when he isn’t just throwing out controversial takes for Twitter.
The only downside was when he strayed into AEW bashing territory (“Tony Khan wants to be Eric Bischoff or Paul Heyman but he doesn’t have the skillset” (or words to that effect)).
On that note, it’s a shame AEW never reached ECW’s record of selling 85,000 tickets at Wembley.
They’ve already announced they’re going back in August to Civc Hall which is interesting. Based on prior press, I’d understood that to be the MLW show, but that’s not clear.
I thought the whole layout of the event was really good in that everything was walkable, so it seems like a good location in that sense.
However, the attendance levels didn’t appear to be that high. That was particularly stark during the stage shows in that fairly sizeable Civic Hall space. I thought they were all enjoyable, but there would not have been more than 50 people in attendance at any of the Gangrel, TNA in the Rumble, or Khali shows. As an aside, did SoCal Val not have a watch? The shows she hosted (including Bret today) were habitually 20 minutes short of advertised duration.
There was a good turnout at Selkirk last night too, but it’s a big space and would have only been about 50% - 60% full at a pinch. It was an enjoyable show anyway. Hopefully they do a few on-demand buys.
I’m also not sure if it was by design or by accident, but the common theme with all the internationals I met was that they were very nice. I’m not big into meet and greets usually, so I didn’t go out of the way to meet everyone, just the four random photo choices I was tasked with making as soon as I got in the door. Chris Masters, in particular, was such a class act and was keen to discuss a range of things including the pressure of wrestling in front of Bret Hart.
I must admit to not understanding the pricing structure fully either - it seemed like outside of the included talent (four photos for gold) you could just go up to whoever, introduce yourself and get a photo. I have no idea how they were keeping tabs on that (and honestly, I don’t think they were) because from the website that should’ve cost in the order of $40 to $100 per talent.
The key things I’d be interested to know include:
- There is only one Hitman. Can they find another person that draws the same number of people given the singular fixation of the audience on him? Starrcast without him would’ve sold 30 tickets. You’d think it would have to be a name like Stone Cold, Ric Flair or Sting to do those sorts of numbers, and I don’t know if any of them would be realistic.
- If you just shelled out for the Hitman stage show and travelled from Melbourne to attend, what would you be thinking now in response to the news you could get tickets at $30 a pop at Ferntree Gully, which is significantly cheaper than today?
- Why does Conrad keep bailing on these trips to Australia at the last minute? Or should we take this most recent explanation at face value?
This event would of made money mainly because of the grant they received from Visit Victoria. Each year the government makes million dollar grants to region areas for tourism.I may be being ignorant because I wasn't there and only am going off what you and others have said online but I just don't see how this promotion can be turning a profit for these areas. The footage of both the Australian Stampede and HER looked to be in front of half empty arenas with many empty seats being visible even though the person filming is trying to avoid that. A half full arena after months of hype, national TV segments, 20+ international flights, visas, hotels etc. It can't be a good look especially when the big selling point of this Ballarat event is now turning up for a different organisation that has nothing to do with OPW.
If I were Ballarat tourism I'd be pretty annoyed at just how much money has been wasted. Can anyone really explain how the likes of Shanky Singh, Mance Warner, Bull Nakano, Steph De Lander, KUSHIDA, Mike Rallis, Moose, Steph De Lander, So Cal Val, Jordynne Grace and others managed to get a free trip to Australia and a payday out of this? Especially when you'd probably draw the same amount of people with Bret, Masters, Shelton, Khali, Bischoff, Victoria, Mickie, Alicia Fox and Dashwood only?
This card is probably better than High Stakes. If Royce can get his body and mind right, he has more upside than any local male talent in my opinion.